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Chapter 5 - The House With No Family Photographs

The address led to a narrow brick house at the edge of an old residential district.

No luxury.

No gate.

No visible cameras.

No expensive cars.

Clara parked two streets away and approached on foot with Chloe.

Dean followed despite repeatedly insisting he should not.

The house had blue shutters and a small front garden.

There were no flowers.

That struck Clara as strange.

If Maya the florist had any connection to Elena, Clara expected something alive and blooming.

Instead, the garden was carefully empty.

Clara knocked.

Nothing.

She knocked again.

The door opened three inches.

A woman stood behind it.

Not Elena.

Maya Santos.

She looked at Chloe first.

Then at Clara.

"Where is Dean?"

Dean stepped into view.

Maya immediately closed the door.

Locks clicked.

Dean looked at Clara.

"Apparently she knows me."

Clara knocked harder.

"Maya!"

Silence.

"Maya, Richard knows Elena has the suitcase."

The locks stopped.

The door opened.

Maya’s face had changed.

"How?"

"I don’t know."

"You were supposed to keep him at the airport."

"I didn’t know I had an assignment."

Maya glanced at Dean.

"Inside."

They entered.

The house was cleaner than Clara expected.

Almost sterile.

Sparse furniture.

Blank walls.

No family photographs.

No mail.

No decorative objects.

It looked like a place designed to be abandoned quickly.

Maya locked the door.

"Where is Elena?"

Clara asked.

"Safe."

"That is no longer enough."

"It has to be."

"My husband may be planning to kill me."

Maya’s expression remained controlled.

"He has been planning options for months."

Clara stared.

"You knew?"

"I suspected."

"And you said nothing?"

"I tried."

"When?"

"Every Friday."

Clara remembered the flowers.

Maya looked at Chloe.

"The colors were messages."

Clara frowned.

"What?"

"Red arrangements meant Richard’s behavior had changed. White meant surveillance increased. Yellow meant do not sign documents. Pink meant Elena wanted contact."

Clara almost laughed from disbelief.

"You sent me coded flowers without telling me there was a code?"

"We couldn’t contact you directly."

"Then how was I supposed to understand?"

"You weren’t."

Clara stared.

"The messages were for Chloe."

Anger exploded.

"You recruited my six-year-old daughter?"

"No."

"Then what do you call this?"

Maya’s eyes hardened.

"Keeping her alive."

Clara stepped closer.

"Do not use my child to justify your secrets."

Maya looked ashamed for the first time.

"You’re right."

Clara waited.

Maya nodded slowly.

"You’re right."

That disarmed her slightly.

Maya gestured toward a back room.

"We should talk."

The back room contained equipment.

Laptops.

Printers.

File boxes.

Maps.

A surveillance board.

Clara’s photograph appeared in several places.

So did Richard.

Simon.

Dean.

Gerald Vance.

And Elena.

At the center was a photograph of a private medical clinic.

The Harrington Institute.

Clara recognized the name.

Richard had encouraged her to undergo annual wellness testing there after Chloe’s birth.

"You’ve been watching me."

"We’ve been watching them watch you."

Clara touched a photograph showing her entering the clinic.

"What does that mean?"

Maya handed her a file.

Medical records.

Clara’s name.

Dates spanning six years.

Some were real.

Blood tests.

Hormone panels.

Annual physicals.

Others were not.

Psychiatric evaluations she never attended.

Descriptions of hallucinations.

Episodes of paranoia.

Noncompliance with medication.

Aggressive behavior.

Threats against Richard.

Clara’s knees weakened.

"No."

Maya continued.

"They built a file."

"Why?"

"So if you accused Richard of something, he could establish that you were unstable."

Clara remembered the airport instantly.

My wife stopped taking medication.

He had used the groundwork already.

"How long?"

"At least four years."

"Why me?"

Maya looked toward Chloe.

"Because of your inheritance."

Clara stared.

"I don’t have an inheritance."

"Yes, you do."

"My parents were teachers."

"Your biological parents weren’t."

Clara could not process the sentence.

"What?"

Maya opened another file.

Inside was Clara’s birth certificate.

Then another.

Two birth certificates.

Same date.

Different parents.

The second listed a mother named Rebecca Collins and a father named Jonathan Collins.

Clara shook her head.

"This is fake."

"No."

"My parents adopted me?"

"Not legally."

"Stop."

"Clara."

"I said stop."

Chloe slipped her hand into Clara’s.

Maya lowered her voice.

"The Vance family did not meet you accidentally."

Clara stared.

"I met Richard at university."

"He knew who you were before that."

"That’s impossible."

"Your biological father owned sixteen percent of a shipping consortium that eventually became part of Vance Meridian."

Clara sat down.

Maya continued carefully.

"Your parents died when you were an infant."

"My parents are alive."

"The people who raised you are alive."

Clara’s ears rang.

"What happened to my biological parents?"

Maya looked toward Dean.

He had become pale.

"I need Elena to answer that."

"No."

Clara stood.

"You brought me here. You show me files. You tell me my entire life is false. You tell me my husband may have married me because of money I didn’t know existed. And now you’re hiding the only person who can explain it?"

Maya took a breath.

"Elena is not here."

"Call her."

"I can’t."

"Why?"

"Because she disappeared with the suitcase twelve minutes after Chloe gave it to me."

Clara froze.

"What do you mean disappeared?"

"I transferred the suitcase to her at a parking garage. We had a second meeting location."

"And?"

"She never arrived."

Dean swore softly.

Maya looked at Clara.

"Her phone is dead."

"Could Richard have found her?"

"Possibly."

"Then why are we standing here?"

"Because before she disappeared, Elena sent one message."

Maya turned a laptop toward Clara.

The screen displayed six words.

IF I VANISH, TRUST THE GIRL.

Clara looked at Chloe.

Chloe looked confused.

"What girl?"

Nobody answered.

Then the child slowly reached into her purse.

May you like

She removed a folded seventh note.

"I forgot this one."

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